Gallery 612-920-3497 doug 612-791-1285
Ojibwe - American, b. September 30, 1919, Chippewa City, Minnesota — d. April 17, 2000, Red Rock, Minnesota
George Morrison is known as a painter and sculptor of images and forms based on the landscape. His Native name was Wah Wah Teh Go Nay Ga Bo (Standing In the Northern Lights). Abstract paintings of views of his beloved Lake Superior, puzzle-like wall reliefs constructed of driftwood, and later, more polished sculptural works are all signatures of Morrison’s artistic style.
An alumnus of the highly regarded Art Students League in New York, Morrison taught at many art institutions, both in Minnesota and on the East Coast, including the Minneapolis School of Art, Cornell University, Pennsylvania Sate University, the Dayton Art Institute in Ohio and the Rhode Island School of Design. He retired as a full professor from the University of Minnesota, Minneapolis.
Morrison’s work was exhibited at many well-known and prestigious museums during his lifetime, including The Minneapolis Institute of Arts and The Walker Art Center in Minneapolis; The Plains Art Museum in Fargo, North Dakota; The Heard Museum in Phoenix, Arizona; The Whitney Museum of American Art and The Museum of the American Indian in New York City; The Art Institute of Chicago; The Toledo Museum of Art, Ohio; The Detroit Institute of Arts; The Dallas Museum of Fine Arts; and The National Gallery of Art, Washington, DC.
All works shown here are available unless otherwise noted
Please inquire for pricing and additional information
Ojibwe - American, b. September 30, 1919, Chippewa City, Minnesota — d. April 17, 2000, Red Rock, Minnesota
George Morrison is known as a painter and sculptor of images and forms based on the landscape. His Native name was Wah Wah Teh Go Nay Ga Bo (Standing In the Northern Lights). Abstract paintings of views of his beloved Lake Superior, puzzle-like wall reliefs constructed of driftwood, and later, more polished sculptural works are all signatures of Morrison’s artistic style.
An alumnus of the highly regarded Art Students League in New York, Morrison taught at many art institutions, both in Minnesota and on the East Coast, including the Minneapolis School of Art, Cornell University, Pennsylvania Sate University, the Dayton Art Institute in Ohio and the Rhode Island School of Design. He retired as a full professor from the University of Minnesota, Minneapolis.
Morrison’s work was exhibited at many well-known and prestigious museums during his lifetime, including The Minneapolis Institute of Arts and The Walker Art Center in Minneapolis; The Plains Art Museum in Fargo, North Dakota; The Heard Museum in Phoenix, Arizona; The Whitney Museum of American Art and The Museum of the American Indian in New York City; The Art Institute of Chicago; The Toledo Museum of Art, Ohio; The Detroit Institute of Arts; The Dallas Museum of Fine Arts; and The National Gallery of Art, Washington, DC.
All works shown here are available unless otherwise noted
Please inquire for pricing and additional information
Untitled (No. 2), 1992
Exotic Woods Collage
Comes with custom wooden table base and tempered glass top
25 x 53 inches
Red Cube, 1983
- Depicting undulating interlocking forms, reminiscent of the artist's found driftwood collages
- Pencil signed and dated along the lower right
- Titled and editioned "Artist Proof" along the lower left
Color lithograph on paper
29 ¾ x 22 ¼ inches
Edition of 75 + 1 AP (AP 1/1)
Surrealist Landscape, 1990-96
Color lithograph on paper
20 ¾ x 17 inches
Signed and numbered
Edition of 43 + 10 AP + 4 PP + 22 TP + 1 CAP + 1 BAT
Two Available - TP 17/22 and BAT 1/1
Landscape: Impression, 1981
Tradition rubbing wax on paper
23 x 69 inches
Ed. 2/5
Signed, dated, titled and numbered
Wood Collage Fragment - Rubbing, c. 1977-78
Traditional rubbing wax on Japon paper
28 x 25 ½ inches
Signed and dated
Wood Collage Impression – Rubbing MXXX, 1978
Traditional rubbing wax on watercolor paper
36 x 48 inches Image
43 x 52 inches Sheet
Signed, titled, dated and numbered
Ed. 2/2
Unframed
Leaping Figure, 1984
Ink on paper
10 ¾ x 8 inches
Variation on "The Market", c. 1980
Ink and graphite on paper
9 x 6 inches
Collage X Landscape, 1975
Lake Superior driftwood
48 ½ x 70 x 3 inches
Collection of the Crystal Bridges Foundation
Untitled Abstract Landscape, 1960
Oil on canvas
20 x 40 inches
Private Collection, Minneapolis, Minnesota
Untitled, 1962
Oil on canvas, artist-made frame
21 x 27 inches
Private Collection
Untitled, 1960
Oil on canvas
28 x 30 inches
Private Collection
Untitled, 1965
Oil on board with artist-made frame
Handmade Frame
10 ⅛ x 14 inches
Private Collection
Still Life, 1982
Acrylic on canvas
10 x 8 inches
Private Collection, Minneapolis, Minnesota
Whalebone, 1948
Oil on canvas
25 x 24 ¾ inches
Private Collection
Structural Direction. Red Rock Variation: Lake Superior Landscape, 1984
Acrylic on canvas
6. ¾ x 9 ⅞ inches
Private Collection, Minneapolis, Minnesota
Untitled, 1961
Oil on masonite
8 ¼ x 12 ½ inches
Private Collection, Minneapolis, Minnesota
Dark is the Field Towards the Night. Red Rock Variation: Lake Superior Landscape, 1995
Acrylic on canvas on board, artist-made frame
4 x 9 inches
Private Collection, Minneapolis, Minnesota
Dark Wind. The Passage of the Spirits. Red Rock Variation: Lake Superior Landscape, 1995
Acrylic on canvas on board, artist-made frame
4 ¾ x 11 inches
Private Collection
Jasper Toward the Evening: Lake Superior Landscape, 1985
Acrylic on canvas, artist-made frame
8 x 9 ⅞ inches
Private Collection, Minneapolis, Minnesota
Untitled, 1959
Oil on board, artist-made frame
6 ¾ x 6 ¾ inches
Private Collection, Minneapolis, Minnesota
Untitled, 1957
Acrylic and gouache on paper
23 ½ x 35 inches
Collection of Muscarelle Museum of Art, William & Mary College, Williamsburg, Virginia
Untitled, 1957
Acrylic and gouache on paper
25 x 36 ½ inches
Private Collection, Monoco
Untitled (VT), 1958
Gouache on paper
17 x 22 inches
Collection of Asheville Art Museum, Asheville, North Carolina
Totem, 1999
Exotic woods on marble base
20 x 4 x 4 inches
Collection of Muscarelle Museum of Art, William & Mary College, Williamsburg, Virginia
The Wheel, c. 1980
Circular wooden sculpture made up of interlocking pieces of wood
5 ¾ x 9 inches
Private Collection, Minneapolis
Wood Collage Fragment – Rubbing II Silver, 1976
Silver rubbing on paper
24 x 24 inches
Private Collection, Boston, Massachusetts
Untitled (Sepia), 1987
Lithograph on Heavy Wove Paper
Signed, dated and numbered
25 ½ x 72 ¼ inches
Ed. 5/35
Private Collection, Minneapolis, Minnesota
Surrealist Forms - Automatic Techniques - Saint Paul, 1984
Ink on paper
10 ¾ x 8 inches
Private Collection, Minneapolis, Minnesota